Art Gallery: Lombard Freid - 19th Street
Art Gallery: Lombard Freid - 19th Street

Main Gallery

This project for new exhibition spaces for internationally recognized Lombard Freid Projects gave the art gallery a new street level presence in the Chelsea art district in New York City.

The design maximizes exhibition space, allows for natural light and creates continuity with the street as well as integrates an outdoor courtyard / multi purpose space.

The gallery design balances the idea of a “white cube” while retaining the inherent qualities of the existing concrete building structure.

The Perspective Concept
The Perspective Concept

The gallery design balances the idea of a “white cube” while retaining the inherent qualities of the existing concrete building structure, which remains exposed and offset from the new intervention of the gallery space.

The Perspective Concept
The Perspective Concept

To emphasize the spatial connection to the courtyard and establish an organizing principle to the design, the Italian Renaissance technique of enhanced perspective was employed.  An axial connection from the main gallery space through the project/video room to the rear courtyard space was established.  

The Perspective Concept
The Perspective Concept

An eye level focal point was established on the exterior wall of the courtyard, which was used as the generator for the geometry in both plan & section of the spaces.  All elements of the main gallery, reception desk, corridor and secondary gallery are controlled by this vanishing point.  This is achieved through the sloping and canting of surfaces and in the subtlety of the lighting design.

Main Gallery Ceiling
Main Gallery Ceiling

The ceiling of the main exhibition space slopes up to meet the existing curtain wall maximizing the northern daylight. 

Entry Steps
Entry Steps

The space was a core and shell fit out in a new residential building in the Chelsea art district in New York City.  New entry steps with glass and metal railings were carefully designed to not detract from the main exhibit space.

Daylight & Street Presence
Daylight & Street Presence

The north facing storefront facade was not obscured in order to gain maximum street presence for the gallery and capture the northern sky daylight.  In order to take full advantage of the existing tall glass facade, the gallery ceiling slopes up to meet the storefront framing system.  Track lighting and linear air diffuser are integrated seamlessly.

Reception
Reception

The Reception wall and soffit along with the heavy timber countertop are canted to follow the organizing perspective lines established.

Lighting track and perimeter slot air diffusers meet and are carefully detailed to follow the geometry.

Main Exhibition Space
Main Exhibition Space

 

Project Room
Project Room

The Project Room design resolves it's geometry around a structural column and exterior doors to the courtyard.  This animates the ceiling design.

The full height sliding frosted glass door demises the project room from the reception ans main gallery areas when needed.

The guiding perspective lines are etched on the frosted glass so that when the door is closed the perspective continues.

Plan and Section Concept
Plan and Section Concept

The project includes gallery offices, art registration and storage space. 

Project:  3,000 net square feet including all mechanical, electrical and lighting.

Credits:
Project Team:              Project Architect - Vu Tran
Lighting Design: Jim Conti Lighting Design, LLC
MEP/FP Engineering: Rodkin Cardinale PC, Consulting Engineers
Construction Management: Vanguard Construction and Development Co. Inc.

Art Gallery: Lombard Freid - 19th Street
The Perspective Concept
The Perspective Concept
The Perspective Concept
Main Gallery Ceiling
Entry Steps
Daylight & Street Presence
Reception
Main Exhibition Space
Project Room
Plan and Section Concept
Art Gallery: Lombard Freid - 19th Street

Main Gallery

This project for new exhibition spaces for internationally recognized Lombard Freid Projects gave the art gallery a new street level presence in the Chelsea art district in New York City.

The design maximizes exhibition space, allows for natural light and creates continuity with the street as well as integrates an outdoor courtyard / multi purpose space.

The gallery design balances the idea of a “white cube” while retaining the inherent qualities of the existing concrete building structure.

The Perspective Concept

The gallery design balances the idea of a “white cube” while retaining the inherent qualities of the existing concrete building structure, which remains exposed and offset from the new intervention of the gallery space.

The Perspective Concept

To emphasize the spatial connection to the courtyard and establish an organizing principle to the design, the Italian Renaissance technique of enhanced perspective was employed.  An axial connection from the main gallery space through the project/video room to the rear courtyard space was established.  

The Perspective Concept

An eye level focal point was established on the exterior wall of the courtyard, which was used as the generator for the geometry in both plan & section of the spaces.  All elements of the main gallery, reception desk, corridor and secondary gallery are controlled by this vanishing point.  This is achieved through the sloping and canting of surfaces and in the subtlety of the lighting design.

Main Gallery Ceiling

The ceiling of the main exhibition space slopes up to meet the existing curtain wall maximizing the northern daylight. 

Entry Steps

The space was a core and shell fit out in a new residential building in the Chelsea art district in New York City.  New entry steps with glass and metal railings were carefully designed to not detract from the main exhibit space.

Daylight & Street Presence

The north facing storefront facade was not obscured in order to gain maximum street presence for the gallery and capture the northern sky daylight.  In order to take full advantage of the existing tall glass facade, the gallery ceiling slopes up to meet the storefront framing system.  Track lighting and linear air diffuser are integrated seamlessly.

Reception

The Reception wall and soffit along with the heavy timber countertop are canted to follow the organizing perspective lines established.

Lighting track and perimeter slot air diffusers meet and are carefully detailed to follow the geometry.

Main Exhibition Space

 

Project Room

The Project Room design resolves it's geometry around a structural column and exterior doors to the courtyard.  This animates the ceiling design.

The full height sliding frosted glass door demises the project room from the reception ans main gallery areas when needed.

The guiding perspective lines are etched on the frosted glass so that when the door is closed the perspective continues.

Plan and Section Concept

The project includes gallery offices, art registration and storage space. 

Project:  3,000 net square feet including all mechanical, electrical and lighting.

Credits:
Project Team:              Project Architect - Vu Tran
Lighting Design: Jim Conti Lighting Design, LLC
MEP/FP Engineering: Rodkin Cardinale PC, Consulting Engineers
Construction Management: Vanguard Construction and Development Co. Inc.

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